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Emerson College Technology & Media
Post Production and Emerging Media
Post Production and Emerging Media
EML
Emerging Media Lab (EML) Overview
Studio 206
Studio 206
Film Post Guides and Workflows
Rewinding Your Film
Steenbeck Workflow
The Guillotine Splicer
Mag Dubber Workflow
Preparing for 16mm Screenings
Film Digitizing Process
See all 16 articles
Virtual Production
XR Studio & Virtual Production
XR Studio UE Project Checklist
Creating a Parallax 2.5D Scene
Filming with an Inner & Outer Frustum
Recording & Output for the XR Studio
Authoring a Virtual Environment in Unreal Engine for the XR Studio
See all 11 articles
Post Production General Information
Post Production Hours of Operation
Post Production Lab Contract
Contact the Post Production Team
Digital Post Lab Software and Hardware
Emerging Media Lab Software
Make a Post Production Reservation - Patron Portal
See all 10 articles
Render Farm
Using the Render Farm Off Campus
Using the Render Farm On Campus in Boston
Post Production Workshops
Spring 2024 Post Production Workshops
Spring 2025 Post Production Workshops
Workshop Calendar
Post Production Troubleshooting
Avid Media Composer Database Files
Licensing EasyDCP
Resetting the PRAM on Mac
Troubleshooting Audio: DPL Labs
Troubleshooting Audio: DPL Suites
Troubleshooting for Resolve
See all 11 articles
Post Production Screenings
2024 MFA & BA Screenings
DCP Submissions for Qualifying Films and Requests
Spring 2025 Screenings
PEL
Copy Stand Scanning Instructions
Epson Perfection V850 Scanning Guide
Flexible File Format
Guide for Epson SureColor P900
Guide for PEL Projector
Hasselblad Flextight X5 Scanner
See all 15 articles
Other EML Workflows
Overnight Rendering Policy - EML
Setting up the HTC Vive
Troubleshooting: Accessing the Adobe Creative Cloud
Troubleshooting: Remapping M500s Buttons
Troubleshooting: Wacom Pens
Using the 309 Flatbed Scanner
Other DPL Workflows
Encoding DCPs using DaVinci Resolve easyDCP
Exporting for Screenings
Introduction to Color Correction
Post Production Overview
Production Guide
Raw, Log, and Uncompressed Footage Overview
See all 11 articles
LiDAR and 3D Scanning
Scanning with the Artec Eva
DVD and Blu-Ray Burning
DVD & Blu Ray Burning with Roxio Toast
DPL Hardware
Broadcast Monitors (Sony) in 808H, 808C, and 808E
Broadcast Monitors in 808A, 808B, 808D, 808F, 808G, 808I, and 808J
DPL Suite Hardware Overview
Hard Drive Overview
Tangent Control Surfaces: Setup in DPL Suites
Tangent Control Surfaces: Use in DPL Suites
See all 11 articles
Digitizing Tapes and Disc Media
Digitizing DV tapes in iMovie
Digitizing DV tapes with Elgato Video Capture
Digitizing DVDs using Elgato Video Capture
Digitizing DVDs using Handbrake
Digitizing Hi-8 tapes with Elgato Video Capture
Digitizing VHS tapes with Elgato Video Capture
Digital Audio Tools
iZotope Neutron
iZotope Ozone
iZotope RX 7
DAW's and Digital Tools
Microphone Types
Understanding the Digital Tools / Plugins
What is a DAW?
Darkroom
16mm Chemistry Usage
16mm Darkroom Cookbook and Chemistry Log
4x5 Toyo 45AII Demo Information
Emerson Darkroom Hazard Communication Plan
SPRINT Developing Time Chart for Still Photography
Class Support - Editing & Advanced Editing (VM376, VM476, VM632)
Avid - Using Sourcebook Projects on Campus
Common Questions with Sourcebook
Connecting to Sourcebook and EditPublic remotely
Copying Sourcebook Media to an external hard drive
Installing Avid Media Composer - Trial
License Avid Media Composer in the DPL Labs and Suites
See all 7 articles
Audio Classrooms and Suites
704 - First Time Setup with DadMon
704 - Setting up the ADR Booth
704 - What Is There For You
705 & Performance Room - What Do We Have
707 - A to H - Audio Suites (Stereo & 5.1)
Audio Annex Microphone Inventory
See all 10 articles
360° Video
360° Video & Ambisonic Audio Workflow Guide (GoPro MAX & Zoom H3-VR)
360° Video Workflow (GoPro Max)
[Insta360 Pro #1] Recording Workflow
[Insta360 Pro #2] Post Production Workflow