Post Production and Emerging Media

Studio 206

• Studio 206

Film Post Guides and Workflows

• Rewinding Your Film
• Steenbeck Workflow
• The Guillotine Splicer
• Mag Dubber Workflow
• Preparing for 16mm Screenings
• Film Digitizing Process

See all 15 articles

Post Production General Information

• Post Production Hours of Operation
• Post Production Lab Contract
• Contact the Post Production Team
• Digital Post Lab Software and Hardware
• Emerging Media Lab Software
• Make a Post Production Reservation - Patron Portal

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Render Farm

• Using the Render Farm Off Campus
• Using the Render Farm On Campus in Boston

Post Production Workshops

• Fall 2024 Post Production Workshops
• Spring 2024 Post Production Workshops
• Workshop Calendar

Post Production Troubleshooting

• Avid Media Composer Database Files
• Licensing EasyDCP
• Resetting the PRAM on Mac
• Troubleshooting Audio: DPL Labs
• Troubleshooting Audio: DPL Suites
• Troubleshooting for Resolve

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Post Production Screenings

• 2024 MFA & BA Screenings
• DCP Submissions for Qualifying Films and Requests

Photo/Darkroom General Information

• Guide to Darkroom and Photo Facilities Access

PEL

• Epson Perfection V850 Scanning Guide
• Flexible File Format
• Guide for Epson SureColor P900
• Guide for PEL Projector
• Hasselblad Flextight X5 Scanner
• Large Format Printing on Epson Stylus Pro 7900 and Epson SureColor P7000

See all 13 articles

Other EML Workflows

• Overnight Render Policy - EML
• Setting up the HTC Vive
• Troubleshooting: Accessing the Adobe Creative Cloud
• Troubleshooting: Remapping M500s Buttons
• Troubleshooting: Wacom Pens
• Using the 309 Flatbed Scanner

Other DPL Workflows

• Encoding DCPs using DaVinci Resolve easyDCP
• Exporting for Screenings
• Introduction to Color Correction
• Post Production Overview
• Production Guide
• Raw, Log, and Uncompressed Footage Overview

See all 11 articles

LiDAR and 3D Scanning

• Scanning with the Artec Eva

DVD and Blu-Ray Burning

• DVD & Blu Ray Burning with Roxio Toast

DPL Hardware

• Broadcast Monitors (Sony) in 808H, 808C, and 808E
• Broadcast Monitors in 808A, 808B, 808D, 808F, 808G, 808I, and 808J
• DPL Suite Hardware Overview
• Hard Drive Overview
• Tangent Control Surfaces: Setup in DPL Suites
• Tangent Control Surfaces: Use in DPL Suites

See all 11 articles

Digitizing Tapes and Disc Media

• Digitizing DV tapes in iMovie
• Digitizing DV tapes with Elgato Video Capture
• Digitizing DVDs using Elgato Video Capture
• Digitizing DVDs using Handbrake
• Digitizing Hi-8 tapes with Elgato Video Capture
• Digitizing VHS tapes with Elgato Video Capture

Digital Audio Tools

• iZotope Neutron
• iZotope Ozone
• iZotope RX 7

DAW's and Digital Tools

• Microphone Types
• Understanding the Digital Tools / Plugins
• What is a DAW?

Darkroom

• 16mm Chemistry Usage
• 16mm Darkroom Cookbook and Chemistry Log
• 4x5 Toyo 45AII Demo Information
• Emerson Darkroom Hazard Communication Plan
• SPRINT Developing Time Chart for Still Photography

Class Support - Editing & Advanced Editing (VM376, VM476, VM632)

• Avid - Using Sourcebook Projects on Campus
• Common Questions with Sourcebook
• Connecting to Sourcebook and EditPublic remotely
• Copying Sourcebook Media to an external hard drive
• Installing Avid Media Composer - Trial
• License Avid Media Composer in the DPL Labs and Suites

See all 7 articles

Audio Classrooms and Suites

• 704 - First Time Setup with DadMon
• 704 - Setting up the ADR Booth
• 704 - What Is There For You
• 705 & Performance Room - What Do We Have
• 707 - A to H - Audio Suites (Stereo & 5.1)
• Audio Annex Microphone Inventory

See all 10 articles

360° Video

• 360° Video & Ambisonic Audio Workflow Guide (GoPro MAX & Zoom H3-VR)
• 360° Video Workflow (GoPro Max)
• [Insta360 Pro #1] Recording Workflow
• [Insta360 Pro #2] Post Production Workflow